Walcha artist Ross Laurie in his studioMonday 20 November 2017. With financial support from The Greater Bank, the New England Regional Art Museum (NERAM) took a large group of volunteers down to Walcha to experience that town’s artistic development.
Hosted by leading Walcha artists, the visit was organised by NERAM as the annual excursion for the volunteers who support NERAM’s operations, providing them with an opportunity to meet local artists and see how they work in their studios. NERAM’s Robert Heather records:
“This year with the support of a donation from The Greater Bank we could organise a much bigger bus to carry everyone from Armidale down to Walcha where we could visit the artists in their studios, take a walking tour through the Walcha Outdoor Sculpture Gallery and have a great day in a beautiful location.”The story in the Walcha News (NERAM Volunteers visit Walcha for an artistic journey) provides a very good overview of the visit. The photos by Darrel Whan are especially good. When you look at the story, do browse the photos. I would love to have been on that trip.
To add to the story, I thought that I would tell you a little about Walcha and its artistic life.
Walcha lies in the Southern New England Tablelands, You can reach it from Tamworth (around one hours eleven minutes), Armidale (52 minutes), Gloucester (just under two hours) or Port Macquarie (two and a half hours). It’s far enough away from bigger centres to preserve its own sense of identity and remoteness, close enough that Walcha people can visit many places including the beautiful national parks near the town.
The distance is important because it has both limited the town’s growth and created a sense of distinctiveness.. The big pastoral families that dominated the town’s early growth were always seen as distinct, snobbish even, compared to those to the north.
At 1,067m, 3,501 ft, Walcha’s climate is cool, sometimes cold. This plus rain makes it a fertile area for both cattle and fine wool merino.
Like many New England towns, Walcha went through a period of decline as economic forces worked against country growth. Then decline stabilised and slow growth began again. All this makes it an unlikely place to become a significant artistic centre. However, the town has also been quite an entrepreneurial place over an extended period.
Angus Nivison, Walcha studio, painting "Star Turn" 2016.Two things seem to have contributed to Walcha’s artistic growth.
The first was the decision by children of local families including Ross Laurie and Angus Nivison to practice their artistic craft there. The second was the decision by prominent sculptor Stephen King and his partner painter Julia Griffin to establish their base there.
In 1996, Stephen approached Walcha Council asking it to collaborate with him to create a fountain sculpture for McHattan Park in the centre of town. The decision to accept his offer and install Walcha's first sculpture lead to the suggestion by Council to form the Walcha Arts Council to facilitate an ongoing public art program.
Stephen King, winning entry, Sydney's Sculpture by the Sea 2013In parallel, other artists were drawn to the town including Kate Durack, Paula Jenkins, James Rogers and Myf Gulliver. A gallery, the Walcha Gallery of Art, was established to provide a local base for the growing artistic community.
I don’t have the knowledge to describe them all nor the resulting work, beyond noting that they have established distinct styles that reflect local conditions as well as broader artistic trends. I have talked about Julia Griffin’s work before.
Julia Griffin, Rain on the Uralla roadThere is a real story here, one that that deserves broader national coverage.
To do it myself, I would need to immerse myself in Walcha, soaking up life, atmosphere and style.
Perhaps one day!
2 comments:
Some excellent pics Jim.
In the light of the 251117 Queensland election results showing a division between the South East, where most of the government jobs are located, and regional Queensland, left out to dry by successive state governments, and the now repeated call by Big George Christiansen for a new North Queensland state.
The self-interest of Sydney politicians remains unchanged for over 150 years; the world is encompassed by a magic circle linking Hornsby, the Nepean Bridge and the Royal National Park, outside which they believe "there be monsters".
For example, Newcastle Ports were sold off for about $900 million and only about $50 million was returned to Newcastle by the Baird LNP government.
Perhaps it is time to resuscitate interest in the Seventh State between the Hunter and the Queensland border, a region suffering from too few government jobs and sold off by the metropolitan based LNP NSW government to fund football stadia for the third football code, toll roads across Sydney and suburban railways lines incompatible with the established rail network.
I'm glad you liked the pics, Jack!I agree with your next points.
As you know, I have taken the view that we needed to rebuild the sense of Northerness, of New England, to give us a base. Looking at the electoral and political dynamics we are running out of time with the North being increasingly fragmented between the SE Queensland and the Sydney-Canberra conurbation to the point That all alternative possibilities are being lost.
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